"Hiroshima lovers" tag across from Walter Kovacs' apartment

"Hiroshima lovers" tag across from Walter Kovacs' apartment

The Hiroshima Lovers, or Shadow Lovers, is a black spray paint graffiti tag depicting a man and a woman in silhouette, embracing in a kiss like lovers. The tag was common throughout New York City in 1985, typically found painted on walls and doorways of buildings. It is one of the most common stencils by Knot Tops, and can be easily mistaken for the shadows of two actual people.

Trivia

  • Several characters express uneasiness around the tag. Rorschach described the tag in his journal as follows: "Silhouette picture in doorway, man and woman, possibly indulging in sexual foreplay. Didn't like it. Makes doorway look haunted." Malcolm Long commented that "It reminded me of the people disintegrated at Hiroshima, leaving only their indelible shadows."
  • This graffiti tag (as with many elements of the Watchmen universe) invokes the dread of nuclear warfare and symbolizes the coming atomic holocaust within the narrative. The couple seem to embrace each other as a last act of affection before they get obliterated by an atomic bomb, as is enacted in the dream that Dan has involving Laurie and himself during Chapter VII.

Appearances of the graffiti

  • Watchmen
    • Chapter V: Fearful Symmetry:
      • V:11:2 - A group of Knot Tops can be seen defacing an abandoned building with spray cans.
      • V:11:5 - Rorschach inspects the completed tag, which is revealed to be the Hiroshima lovers.
      • V:11:7-9 - A group of Knot Tops (possibly the same one) defaces the wall opposite the Gunga Diner while Rorschach waits inside for a mail drop from Moloch.
      • V:18:1 - The Hiroshima lovers outside the Gunga Diner can be seen when Rorschach collects the message from Moloch.
      • V:23:4 and V:25:1 - Outside the Rumrunner.

Shadows of embracing lovers

Commentary

  • The rationalization for sending the giant squid is similar to that of dropping the bomb: killing x number of people is worth it if it means preventing the potential killing of x+y number of people.
  • It may be inspired by the 1959 romantic drama film, Hiroshima Mon Amour, by French New Wave director Alain Resnais.

References